Part 8

“In the evening I used to walk to the waterfall. There was a spot there which was quite closed in and hidden from view by large trees; and to this spot the children used to come to me. They could not bear that their dear Leon should love a poor girl without shoes to her feet and dressed all in rags and tatters. So, would you believe it, they actually clubbed together, somehow, and bought her shoes and stockings, and some linen, and even a dress! I can’t understand how they managed it, but they did it, all together. When I asked them about it they only laughed and shouted, and the little girls clapped their hands and kissed me. I sometimes went to see Marie secretly, too. She had become very ill, and could hardly walk. She still went with the herd, but could not help the herdsman any longer. She used to sit on a stone near, and wait there almost motionless all day, till the herd went home. Her consumption was so advanced, and she was so weak, that she used to sit with closed eyes, breathing heavily. Her face was as thin as a skeleton’s, and sweat used to stand on her white brow in large drops. I always found her sitting just like that. I used to come up quietly to look at her; but Marie would hear me, open her eyes, and tremble violently as she kissed my hands. I did not take my hand away because it made her happy to have it, and so she would sit and cry quietly. Sometimes she tried to speak; but it was very difficult to understand her. She was almost like a madwoman, with excitement and ecstasy, whenever I came. Occasionally the children came with me; when they did so, they would stand some way off and keep guard over us, so as to tell me if anybody came near. This was a great pleasure to them.

“When we left her, Marie used to relapse at once into her old condition, and sit with closed eyes and motionless limbs. One day she could not go out at all, and remained at home all alone in the empty hut; but the children very soon became aware of the fact, and nearly all of them visited her that day as she lay alone and helpless in her miserable bed.

“For two days the children looked after her, and then, when the village people got to know that Marie was really dying, some of the old women came and took it in turns to sit by her and look after her a bit. I think they began to be a little sorry for her in the village at last; at all events they did not interfere with the children any more, on her account.

“Marie lay in a state of uncomfortable delirium the whole while; she coughed dreadfully. The old women would not let the children stay in the room; but they all collected outside the window each morning, if only for a moment, and shouted ‘_Bon jour, notre bonne Marie!_’ and Marie no sooner caught sight of, or heard them, and she became quite animated at once, and, in spite of the old women, would try to sit up and nod her head and smile at them, and thank them. The little ones used to bring her nice things and sweets to eat, but she could hardly touch anything. Thanks to them, I assure you, the girl died almost perfectly happy. She almost forgot her misery, and seemed to accept their love as a sort of symbol of pardon for her offence, though she never ceased to consider herself a dreadful sinner. They used to flutter at her window just like little birds, calling out: ‘_Nous t’aimons, Marie!_’

“She died very soon; I had thought she would live much longer. The day before her death I went to see her for the last time, just before sunset. I think she recognized me, for she pressed my hand.

“Next morning they came and told me that Marie was dead. The children could not be restrained now; they went and covered her coffin with flowers, and put a wreath of lovely blossoms on her head. The pastor did not throw any more shameful words at the poor dead woman; but there were very few people at the funeral. However, when it came to carrying the coffin, all the children rushed up, to carry it themselves. Of course they could not do it alone, but they insisted on helping, and walked alongside and behind, crying.

“They have planted roses all round her grave, and every year they look after the flowers and make Marie’s resting-place as beautiful as they can. I was in ill odour after all this with the parents of the children, and especially with the parson and schoolmaster. Schneider was obliged to promise that I should not meet them and talk to them; but we conversed from a distance by signs, and they used to write me sweet little notes. Afterwards I came closer than ever to those little souls, but even then it was very dear to me, to have them so fond of me.

“Schneider said that I did the children great harm by my pernicious ‘system’; what nonsense that was! And what did he mean by my system? He said afterwards that he believed I was a child myself—just before I came away. ‘You have the form and face of an adult’ he said, ‘but as regards soul, and character, and perhaps even intelligence, you are a child in the completest sense of the word, and always will be, if you live to be sixty.’ I laughed very much, for of course that is nonsense. But it is a fact that I do not care to be among grown-up people and much prefer the society of children. However kind people may be to me, I never feel quite at home with them, and am always glad to get back to my little companions. Now my companions have always been children, not because I was a child myself once, but because young things attract me. On one of the first days of my stay in Switzerland, I was strolling about alone and miserable, when I came upon the children rushing noisily out of school, with their slates and bags, and books, their games, their laughter and shouts—and my soul went out to them. I stopped and laughed happily as I watched their little feet moving so quickly. Girls and boys, laughing and crying; for as they went home many of them found time to fight and make peace, to weep and play. I forgot my troubles in looking at them. And then, all those three years, I tried to understand why men should be for ever tormenting themselves. I lived the life of a child there, and thought I should never leave the little village; indeed, I was far from thinking that I should ever return to Russia. But at last I recognized the fact that Schneider could not keep me any longer. And then something so important happened, that Schneider himself urged me to depart. I am going to see now if can get good advice about it. Perhaps my lot in life will be changed; but that is not the principal thing. The principal thing is the entire change that has already come over me. I left many things behind me—too many. They have gone. On the journey I said to myself, ‘I am going into the world of men. I don’t know much, perhaps, but a new life has begun for me.’ I made up my mind to be honest, and steadfast in accomplishing my task. Perhaps I shall meet with troubles and many disappointments, but I have made up my mind to be polite and sincere to everyone; more cannot be asked of me. People may consider me a child if they like. I am often called an idiot, and at one time I certainly was so ill that I was nearly as bad as an idiot; but I am not an idiot now. How can I possibly be so when I know myself that I am considered one?

“When I received a letter from those dear little souls, while passing through Berlin, I only then realized how much I loved them. It was very, very painful, getting that first little letter. How melancholy they had been when they saw me off! For a month before, they had been talking of my departure and sorrowing over it; and at the waterfall, of an evening, when we parted for the night, they would hug me so tight and kiss me so warmly, far more so than before. And every now and then they would turn up one by one when I was alone, just to give me a kiss and a hug, to show their love for me. The whole flock went with me to the station, which was about a mile from the village, and every now and then one of them would stop to throw his arms round me, and all the little girls had tears in their voices, though they tried hard not to cry. As the train steamed out of the station, I saw them all standing on the platform waving to me and crying ‘Hurrah!’ till they were lost in the distance.

“I assure you, when I came in here just now and saw your kind faces (I can read faces well) my heart felt light for the first time since that moment of parting. I think I must be one of those who are born to be in luck, for one does not often meet with people whom one feels he can love from the first sight of their faces; and yet, no sooner do I step out of the railway carriage than I happen upon you!

“I know it is more or less a shamefaced thing to speak of one’s feelings before others; and yet here am I talking like this to you, and am not a bit ashamed or shy. I am an unsociable sort of fellow and shall very likely not come to see you again for some time; but don’t think the worse of me for that. It is not that I do not value your society; and you must never suppose that I have taken offence at anything.

“You asked me about your faces, and what I could read in them; I will tell you with the greatest pleasure. You, Adelaida Ivanovna, have a very happy face; it is the most sympathetic of the three. Not to speak of your natural beauty, one can look at your face and say to one’s self, ‘She has the face of a kind sister.’ You are simple and merry, but you can see into another’s heart very quickly. That’s what I read in your face.

“You too, Alexandra Ivanovna, have a very lovely face; but I think you may have some secret sorrow. Your heart is undoubtedly a kind, good one, but you are not merry. There is a certain suspicion of ‘shadow’ in your face, like in that of Holbein’s Madonna in Dresden. So much for your face. Have I guessed right?

“As for your face, Lizabetha Prokofievna, I not only think, but am perfectly _sure_, that you are an absolute child—in all, in all, mind, both good and bad—and in spite of your years. Don’t be angry with me for saying so; you know what my feelings for children are. And do not suppose that I am so candid out of pure simplicity of soul. Oh dear no, it is by no means the case! Perhaps I have my own very profound object in view.”

VII.

When the prince ceased speaking all were gazing merrily at him—even Aglaya; but Lizabetha Prokofievna looked the jolliest of all.

“Well!” she cried, “we _have_ ‘put him through his paces,’ with a vengeance! My dears, you imagined, I believe, that you were about to patronize this young gentleman, like some poor _protégé_ picked up somewhere, and taken under your magnificent protection. What fools we were, and what a specially big fool is your father! Well done, prince! I assure you the general actually asked me to put you through your paces, and examine you. As to what you said about my face, you are absolutely correct in your judgment. I am a child, and know it. I knew it long before you said so; you have expressed my own thoughts. I think your nature and mine must be extremely alike, and I am very glad of it. We are like two drops of water, only you are a man and I a woman, and I’ve not been to Switzerland, and that is all the difference between us.”

“Don’t be in a hurry, mother; the prince says that he has some motive behind his simplicity,” cried Aglaya.

“Yes, yes, so he does,” laughed the others.

“Oh, don’t you begin bantering him,” said mamma. “He is probably a good deal cleverer than all three of you girls put together. We shall see. Only you haven’t told us anything about Aglaya yet, prince; and Aglaya and I are both waiting to hear.”

“I cannot say anything at present. I’ll tell you afterwards.”

“Why? Her face is clear enough, isn’t it?”

“Oh yes, of course. You are very beautiful, Aglaya Ivanovna, so beautiful that one is afraid to look at you.”

“Is that all? What about her character?” persisted Mrs. Epanchin.

“It is difficult to judge when such beauty is concerned. I have not prepared my judgment. Beauty is a riddle.”

“That means that you have set Aglaya a riddle!” said Adelaida. “Guess it, Aglaya! But she’s pretty, prince, isn’t she?”

“Most wonderfully so,” said the latter, warmly, gazing at Aglaya with admiration. “Almost as lovely as Nastasia Philipovna, but quite a different type.”

All present exchanged looks of surprise.

“As lovely as _who?_” said Mrs. Epanchin. “As _Nastasia Philipovna?_ Where have you seen Nastasia Philipovna? What Nastasia Philipovna?”

“Gavrila Ardalionovitch showed the general her portrait just now.”

“How so? Did he bring the portrait for my husband?”

“Only to show it. Nastasia Philipovna gave it to Gavrila Ardalionovitch today, and the latter brought it here to show to the general.”

“I must see it!” cried Mrs. Epanchin. “Where is the portrait? If she gave it to him, he must have it; and he is still in the study. He never leaves before four o’clock on Wednesdays. Send for Gavrila Ardalionovitch at once. No, I don’t long to see _him_ so much. Look here, dear prince, _be_ so kind, will you? Just step to the study and fetch this portrait! Say we want to look at it. Please do this for me, will you?”

“He is a nice fellow, but a little too simple,” said Adelaida, as the prince left the room.

“He is, indeed,” said Alexandra; “almost laughably so at times.”

Neither one nor the other seemed to give expression to her full thoughts.

“He got out of it very neatly about our faces, though,” said Aglaya. “He flattered us all round, even mamma.”

“Nonsense!” cried the latter. “He did not flatter me. It was I who found his appreciation flattering. I think you are a great deal more foolish than he is. He is simple, of course, but also very knowing. Just like myself.”

“How stupid of me to speak of the portrait,” thought the prince as he entered the study, with a feeling of guilt at his heart, “and yet, perhaps I was right after all.” He had an idea, unformed as yet, but a strange idea.

Gavrila Ardalionovitch was still sitting in the study, buried in a mass of papers. He looked as though he did not take his salary from the public company, whose servant he was, for a sinecure.

He grew very wroth and confused when the prince asked for the portrait, and explained how it came about that he had spoken of it.

“Oh, curse it all,” he said; “what on earth must you go blabbing for? You know nothing about the thing, and yet—idiot!” he added, muttering the last word to himself in irrepressible rage.

“I am very sorry; I was not thinking at the time. I merely said that Aglaya was almost as beautiful as Nastasia Philipovna.”

Gania asked for further details; and the prince once more repeated the conversation. Gania looked at him with ironical contempt the while.

“Nastasia Philipovna,” he began, and there paused; he was clearly much agitated and annoyed. The prince reminded him of the portrait.

“Listen, prince,” said Gania, as though an idea had just struck him, “I wish to ask you a great favour, and yet I really don’t know—”

He paused again, he was trying to make up his mind to something, and was turning the matter over. The prince waited quietly. Once more Gania fixed him with intent and questioning eyes.

“Prince,” he began again, “they are rather angry with me, in there, owing to a circumstance which I need not explain, so that I do not care to go in at present without an invitation. I particularly wish to speak to Aglaya, but I have written a few words in case I shall not have the chance of seeing her” (here the prince observed a small note in his hand), “and I do not know how to get my communication to her. Don’t you think you could undertake to give it to her at once, but only to her, mind, and so that no one else should see you give it? It isn’t much of a secret, but still—Well, will you do it?”

“I don’t quite like it,” replied the prince.

“Oh, but it is absolutely necessary for me,” Gania entreated. “Believe me, if it were not so, I would not ask you; how else am I to get it to her? It is most important, dreadfully important!”

Gania was evidently much alarmed at the idea that the prince would not consent to take his note, and he looked at him now with an expression of absolute entreaty.

“Well, I will take it then.”

“But mind, nobody is to see!” cried the delighted Gania “And of course I may rely on your word of honour, eh?”

“I won’t show it to anyone,” said the prince.

“The letter is not sealed—” continued Gania, and paused in confusion.

“Oh, I won’t read it,” said the prince, quite simply.

He took up the portrait, and went out of the room.

Gania, left alone, clutched his head with his hands.

“One word from her,” he said, “one word from her, and I may yet be free.”

He could not settle himself to his papers again, for agitation and excitement, but began walking up and down the room from corner to corner.

The prince walked along, musing. He did not like his commission, and disliked the idea of Gania sending a note to Aglaya at all; but when he was two rooms distant from the drawing-room, where they all were, he stopped as though recalling something; went to the window, nearer the light, and began to examine the portrait in his hand.

He longed to solve the mystery of something in the face of Nastasia Philipovna, something which had struck him as he looked at the portrait for the first time; the impression had not left him. It was partly the fact of her marvellous beauty that struck him, and partly something else. There was a suggestion of immense pride and disdain in the face almost of hatred, and at the same time something confiding and very full of simplicity. The contrast aroused a deep sympathy in his heart as he looked at the lovely face. The blinding loveliness of it was almost intolerable, this pale thin face with its flaming eyes; it was a strange beauty.

The prince gazed at it for a minute or two, then glanced around him, and hurriedly raised the portrait to his lips. When, a minute after, he reached the drawing-room door, his face was quite composed. But just as he reached the door he met Aglaya coming out alone.

“Gavrila Ardalionovitch begged me to give you this,” he said, handing her the note.

Aglaya stopped, took the letter, and gazed strangely into the prince’s eyes. There was no confusion in her face; a little surprise, perhaps, but that was all. By her look she seemed merely to challenge the prince to an explanation as to how he and Gania happened to be connected in this matter. But her expression was perfectly cool and quiet, and even condescending.

So they stood for a moment or two, confronting one another. At length a faint smile passed over her face, and she passed by him without a word.

Mrs. Epanchin examined the portrait of Nastasia Philipovna for some little while, holding it critically at arm’s length.

“Yes, she is pretty,” she said at last, “even very pretty. I have seen her twice, but only at a distance. So you admire this kind of beauty, do you?” she asked the prince, suddenly.

“Yes, I do—this kind.”

“Do you mean especially this kind?”

“Yes, especially this kind.”

“Why?”

“There is much suffering in this face,” murmured the prince, more as though talking to himself than answering the question.

“I think you are wandering a little, prince,” Mrs. Epanchin decided, after a lengthened survey of his face; and she tossed the portrait on to the table, haughtily.

Alexandra took it, and Adelaida came up, and both the girls examined the photograph. Just then Aglaya entered the room.

“What a power!” cried Adelaida suddenly, as she earnestly examined the portrait over her sister’s shoulder.

“Whom? What power?” asked her mother, crossly.

“Such beauty is real power,” said Adelaida. “With such beauty as that one might overthrow the world.” She returned to her easel thoughtfully.

Aglaya merely glanced at the portrait—frowned, and put out her underlip; then went and sat down on the sofa with folded hands. Mrs. Epanchin rang the bell.

“Ask Gavrila Ardalionovitch to step this way,” said she to the man who answered.

“Mamma!” cried Alexandra, significantly.

“I shall just say two words to him, that’s all,” said her mother, silencing all objection by her manner; she was evidently seriously put out. “You see, prince, it is all secrets with us, just now—all secrets. It seems to be the etiquette of the house, for some reason or other. Stupid nonsense, and in a matter which ought to be approached with all candour and open-heartedness. There is a marriage being talked of, and I don’t like this marriage—”

“Mamma, what are you saying?” said Alexandra again, hurriedly.

“Well, what, my dear girl? As if you can possibly like it yourself? The heart is the great thing, and the rest is all rubbish—though one must have sense as well. Perhaps sense is really the great thing. Don’t smile like that, Aglaya. I don’t contradict myself. A fool with a heart and no brains is just as unhappy as a fool with brains and no heart. I am one and you are the other, and therefore both of us suffer, both of us are unhappy.”

“Why are you so unhappy, mother?” asked Adelaida, who alone of all the company seemed to have preserved her good temper and spirits up to now.

“In the first place, because of my carefully brought-up daughters,” said Mrs. Epanchin, cuttingly; “and as that is the best reason I can give you we need not bother about any other at present. Enough of words, now! We shall see how both of you (I don’t count Aglaya) will manage your business, and whether you, most revered Alexandra Ivanovna, will be happy with your fine mate.”

“One work. Many languages. One reading experience.”